Henry van de Velde's theory of linear ornament
Author:
Anderson, Anita Poletti, Architectural History, University of Virginia
Anderson, Anita Poletti, Architectural History, University of Virginia
Advisors:
Wilson, Richard, Architectural History, University of Virginia
Brownell, Charles, Architectural History, University of Virginia
Wiebenson, Dora, Architectural History, University of Virginia
Wilson, Richard, Architectural History, University of Virginia
Brownell, Charles, Architectural History, University of Virginia
Wiebenson, Dora, Architectural History, University of Virginia
Abstract:
The object of this study is to examine van de Velde’s theory of linear ornament and it sources, developed from the early 1890’s until late in his career. Van de Velde’s ideas on line derived from a variety of sources: the English Arts and Crafts Movement, the Art Nouveau notion of line, avant-garde movements in painting and contemporary theories in psychophysiology, aesthetics and philosophy. One purpose of this paper is to show how van de Velde synthesized these influences and distilled them in his writings. Another is to present van de Velde’s essays as an early 20th century example of the concept of line as an abstraction.
Degree:
MARH (Master of Architectural History)
MARH (Master of Architectural History)
Keywords:
Velde, Henry van de -- 1863-1957 -- Criticism and interpretation
Velde, Henry van de -- 1863-1957 -- Criticism and interpretation
Language:
English
English
Rights:
All rights reserved (no additional license for public reuse)
All rights reserved (no additional license for public reuse)
Issued Date:
1990
1990