Music Ex Machina: How Spotify's Recommendations Shape Music Production

Schnidman, Max, Economics - Graduate School of Arts and Sciences, University of Virginia
Ciliberto, Federico, AS-Economics (ECON), University of Virginia
Anderson, Simon, AS-Economics (ECON), University of Virginia
Mortimer, Julie, AS-Economics (ECON), University of Virginia
I examine how recommender systems have influenced the music industry and shaped music production. I provide a detailed analysis of the recorded music industry, including the structure of the industry, the characteristics of music, and how these characteristics have changed over time. Using data from Spotify, I document changes in song characteristics since the introduction of streaming services and recommender systems. I conduct reduced form analysis to show that the introduction of streaming services and recommender systems has led to a 40-second decrease in the average length of songs on Billboard's Hot 100 since 2010. Using a structural model of the recorded music industry, I analyze consumer behavior, platform recommendations, and rightsholder release decisions. I estimate a fixed cost of $170,000 for songs that enter Spotify's Top 200. Counterfactual analysis shows that with randomized recommendations, fewer songs would enter the market, reducing consumer welfare by 4%. The songs that do enter would be 33 seconds longer on average and vary more widely in length. Popularity-based recommendations that do not account for individual taste would generate a superstar effect, increasing gross profit margins for songs that enter the market to 40%, but reducing consumer welfare by 13%. Although recommender systems have reduced overall variety in music, they have also enabled additional entry and increased consumer welfare.
PHD (Doctor of Philosophy)
Economic of Music, Recommender Systems, Digital Economics
English
All rights reserved (no additional license for public reuse)
2025/04/25